Rik is currently touring on the RES 9 album he cut for the MASCOT / PROVOGUE label, which was released in November of 2016. When that project came along, he took a hiatus from his new home studio, The Rockit Lab, where he has been using state-of-the-art digital technology to capture new singer-songwriter-guitarist material. When he settles back into The Lab, the plan is to record a steady stream of fresh new songs, make videos, and release them as they are completed, without waiting and worrying about the content forming album ‘product’. This steady flow of new creative work will provide the soundtrack for the next chapter of Rik’s career — a chapter entitled, “ElectrikAcoustik’.
After five decades in the biz, the adjectives ‘prolific’ and ‘eclectic’ frequently pop up in Rik Emmett’s profiles. Following over a dozen platinum albums from his Triumph years, he’s produced 19 more as a non-platinum indie, ranging from rock to blues to jazz to folk to classical – which led to the making of a new full-blown rock record again in 2016, RES 9, for the MASCOT / PROVOGUE label on a worldwide deal.
International notoriety earned him entry into three Canadian Halls of Fame, and a star on the Walk of Fame in his old hometown. He’s also picked up a few ‘Best Guitarist’ awards from different organizations, in various style categories, along the way.
Author of a GUITAR PLAYER magazine column for over a dozen years, the resulting compilation instruction book, “For The Love of Guitar”, recently landed at #4 in Shawn Persinger’s review of “The 50 Greatest Guitar Books”.
As a music educator, Mr. E. remains humbly proud of his long-standing inclusion on the heavily-respected Humber College faculty, where he’s taught Songwriting, Music Business and Directed Studies. He’s also the Artistic Director Emeritus of the Songstudio Songwriting Workshop, which he launched with his pal Blair Packham 13 summers ago.
Rik Emmett gained international recognition as the lead singer/songwriter/guitarist with Triumph from 1975 to 1988. Five gold & platinum decades in the music biz provided entry into the Canadian Rock Hall of Fame, the Music Industry Hall of Fame and the Junos Hall of Fame, with a few ‘Best Guitarist’ awards in various categories garnered along the way. A morphing, moving target, Rik followed up Smooth Jazz awards in ’05 and ’06, with the worldwide release of a prog rock project called Airtime in ‘07, and a Latin / Mediterranean guitar trio project called ‘Trifecta‘ in 2009 (nominated for a Best Instrumental Juno). His latest release is the full-blown rock band project, RES 9, by Rik Emmett & RESolution9, released by the MASCOT / PROVOGUE label out of Europe, on a worldwide deal. Searching backwards chronologically, the 18th and 19th albums of his independent career (released through his website, www.rikemmett.com) were “Marco’s Secret Songbook”,  a concept album with 15 music tracks, a spoken word narrative & symphonic underscore: and “Then Again”, [also 2012] an acoustic duo revisiting the most popular Triumph repertoire with new arrangements. In 2011 “reCOVERy Room 9“ was released, an acoustic duo with Dave Dunlop, featuring nine cover songs from a wildly eclectic range of pop music. Continuing his commitment to prolific and conscientious music-making, Rik remains an innovative music educator of long standing with Humber College in Toronto, and is the Artistic Director Emeritus of the annual Songstudio Songwriting Workshop.
Rik Emmett was a relatively unknown singer/songwriter/guitarist on the local Toronto scene in September of ’75 when he joined a newly-formed hard rock trio called Triumph. By ’79 three albums had gone platinum in Canada and two charted in the States, receiving serious radio airplay. By ’81 Triumph was firmly established as one of the premier touring rock acts in North America, with generous FM radio airplay support and heavy rotation on the fledgling MTV cable channel. In the next seven years, the band released ten gold albums, with four turning platinum in Canada. In the U.S., two went gold.
Emmett’s name frequently appeared in guitar magazine polls and he won some prestigious awards, including Best Lead Guitarist in a national poll in 1981. Rik has said many times in interviews that he always felt the need for the band to try and live up to the name it had chosen for itself. He left the band to begin a solo career in ’88. As one of the band’s original members, Rik was inducted into the Canadian Rock Hall of Fame in ’93, the Music Industry Hall of Fame in 2007, and the Junos Hall of Fame in 2008. Triumph reunited briefly for concerts in Sweden and Oklahoma in the summer of 2008.
A duo project with Dave Dunlop called Strung-Out Troubadours won both Duo Of The Year and Album Of The Year honours at the 2007 Canadian Smooth Jazz Awards. The follow-up CD, entitled Push & Pull, was released in the late spring of 2009. In the fall of 2009, Rik collaborated in an acoustic guitar trio (the P.R.O. Trio) project with Pavlo and Oscar Lopez. Entitled “Trifecta”, the CD was released in advance of the heaviest Canadian touring schedule that Emmett had been involved in since the ‘80’s, commencing in January of 2010 and continuing throughout the year. The album was nominated for a JUNO award as Instrumental Album of the Year.
Rik’s solo career spawned three releases for Duke Street/MCA Records in the early ’90s. The first, Absolutely, went gold in 1990, yielding the hits “Saved by Love” and “Big Lie”, two songs that provided a transition from arena rock while maintaining continuity at FM radio. The ballad “When a Heart Breaks” crossed a rock guitar hero over into other radio formats and revealed a more sensitive singer/songwriter persona. “World of Wonder” also received substantial airplay and showcased an expanding lyrical and stylistic range.
The “Ipso Facto” CD followed in ’92, offering up the hits “Out of The Blue” (a jazzy-bluesy tribute to Stevie Ray Vaughan, Hendrix and Wes Montgomery) and “Bang On”, a rocking return to one of Rik’s personal themes – positive motivation and inspiration. Ipso Facto’s stylistic versatility was no surprise to fans who knew the guy consistently plugging trademark classical guitar pieces or little jazz tunes in between hard rock anthems, arena blues riffs and progressive flourishes found on past records. A singer/songwriter album called Spiral Notebook followed in ’95, earning airplay on its ballads “Let Me Be The One” and “The Longing”.
In ’96, Emmett began testing the courage of his musical convictions with work in his own digital studio and through his own independent record label. These instincts paid off artistically. The first release was “Ten Invitations from the Mistress of Mr E.”, original instrumentals of classical nylon-string guitar, reminding critics and fans alike that the rock “guitar god” was never a one-trick pony. Part two of his guitar trilogy, “Swing Shift”, took a completely different musical direction, featuring jazz, swing and fusion. Again, the CD was well received, with the emergence of the song “Santa Fe Horizon” as a classic staple in the smooth jazz field, capturing the interest of brand-new fans in growing musical circles. CBC Radio in Canada also gave much exposure to the tracks “Key Chain” and “Libre Animado” – with “Libre” still receiving a lot of requests at live duo shows, to this day. The spirits of diehard fans were elevated as they witnessed this artistic transformation, defying mainstream classification. “Raw Quartet”, released in early 1999, became the final CD in the trilogy, displaying Rik’s passion and natural affinity for blues.
1999’s “Live at Berklee” (highlights from sold-out shows at the prestigious Berklee College of Music in Boston) preceded the traditional “Spirit of Christmas” album, recorded in collaboration with Glass Tiger keyboardist Sam Reid. One of the big thrills in Rik’s lifetime occurred in the summer of 2001, when George Benson joined Rik on stage during a guitar festival in Buffalo NY and they brought the house down with an impromptu version of “On Broadway”. 2002 brought the release of a “20th Century Masters: Best of Rik Emmett Collection” through Universal, followed by another widely-acclaimed indie instrumental smooth jazz masterpiece CD, “Handiwork”.
In the late summer of 2003, the acoustic singer/songwriter re-emerged with the “Good Faith” CD, another new chapter in an already storied career. In 2005, Rik was honored as Guitarist of the Year at the Canadian Smooth Jazz Awards, but the wide range of Emmett’s abilities have been constantly on display – from smooth jazz and fingerstyle guitar festivals in Canada to heavy metal festivals in Germany and Sweden: from Artistic Directing a songwriting workshop to jamming with Alex Lifeson of Rush at the Guitar Workshop Plus: from huge classic rock outdoor shows with Triumph, to intimate acoustic duo gigs: from orchestra nights honouring the classic rock song catalogues of Eric Clapton, or The Beatles: through to releases like 2007’s hard rocking “Liberty Manifesto”, or the all-acoustic “Live at Hugh’s Room”, released in the same year.
Rik’s reputation has been bolstered by collaborations that branched away from a mainstream career path. The first high-profile project was a guitar quartet project in 1987, that produced a vinyl insert recording for the U.S. Guitar Player magazine – ‘Beyond Borders’ featured Liona Boyd, Ed Bickert and Alex Lifeson, bringing Rik’s original compositional sketch to life. Over 20 years later, in another eclectic, daring adventure, the P.R.O. Trio of guitarists Pavlo, Rik, and Oscar Lopez blended their acoustic styles into Mediterranean and Latin contexts. In the last decade, Rik has also worked extensively with guitarist Dave Dunlop in a duo called Strung-Out Troubadours, (later shortened to just ‘Troubs’) and with drummer / vocalist Mike Shotton, in a prog-rock recording project they called ‘Airtime’. All of this activity has brought Rik full circle, back to the rock band project, RES 9 (released in November 2016).
A guitar magazine once wrote that Rik Emmett was “… his own worst enemy … one of the only guitarists out there who may be too talented for his own damn good”. In a digital sound bite world, this offers insight on a music biz lifer, recognizing a unique artist, still going strong. For 46 years, as his own worst enemy, Rik has made choices based on being a loyal friend to his gifts, as opposed to being a slave to fashion (with luggage to match). Rik holds true to his dreams of the magic power of the music, offering his best to every audience, of every stripe, every night that he performs.